I want my street portraits to be a kind of unvarnished truth. I don’t want to change what is there. I want to amplify what is there. I want them to be unapologetically human, to show the cracks and the stories etched in the faces of people who don’t give a fuck about being immortalised. I want my street portraits to stick up a middle finger to curated perfection. Life is messy and magnificent. It can be both.

The ZINE